![]() The Korea Times has the details on La Rose de Versailles, a new Korean-language musical based on the influential Japanese manga from the 1970s about Marie Antoinette and her royal guard’s commander, born female but raised as a man to succeed her father in the military. ![]() Michael Cassel Group mounts a Broadway replica that launches in February of that year. The global expansion of Michael Jackson bio MJ continues apace, as the show’s producers announced a 2025 bow in Sydney. Critic Laura Cappelle writes that although “the complex historical context to Our Life in Art is rarely addressed head-on,” the play “really shines when Nelson plays up the contrast between the artists’ lives and the ideological pressure they were under in the Soviet Union.” The New York Times has a mixed review of Our Life in Art, the new Richard Nelson play about Stanislavski’s theater troupe, originally intended for a premiere in Russia before that nation’s invasion of the Ukraine rerouted the show to Ariane Mnouchkine’s Théâtre du Soleil in Paris. In pairing a prestige director (in this case Stephen Daldry) with a mass-appeal, cross-platform IP, the production follows a similar playbook to Harry Potter and the Cursed Child, which shares a producer in Sonia Friedman and currently has an international footprint that encompasses the West End, Broadway, Hamburg, Tokyo and a North American tour. 14 to mostly strong local reviews, particularly for the staging if not always for the script. Baz Bamigboye reports that Stranger Things: The First Shadow is planning a Broadway bow and, in a less predictable development, could be the first part of a potential stage trilogy based on the hit Netflix series.
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